![]() ![]() When she’s not making art or championing environmental causes, you can find her backpacking, camping, and hiking in the wilderness areas of the West where she finds much of the inspiration for her work. “Linda calls out changes to the earth we need to notice in a manner we can see, feel, and hear.”Īwards include the prestigious Fleishhacker Foundation Eureka Fellowship, the Silicon Valley Creates Artist Laureate, the Belle Foundation Artist Grant, and the Creative Ecology Art and Science Residency through the Palo Alto Art Center and Junior Museum and Zoo.Īlthough her true love has always been art, Linda earned a Bachelors of Science in Mathematical Sciences and a Masters of Science in Computer Science from Stanford University. “Much of her art has a lesson or narrative behind it about humans and the earth and the toll we are taking on it – but delivered in a manner where we see and feel the changes we need to understand the consequences of and work to mitigate,” reflects Jane Woodward, Founder of The Foster Museum in Palo Alto. Her work is in several public and private collections including the International Quilt Museum, Zuckerberg San Francisco General Hospital, UCSF Hospital, Kaiser Permanente, San Jose Museum of Quilts and Textiles, and the Kapor Center for Social Impact. Linda’s work has been written about in American Craft, The San Francisco Chronicle, KQED, National Geographic’s All Over the Map: A Cartographic Odyssey, 500 Art Quilts, The Map as Art: Contemporary Artists Explore Cartography, and Why We Quilt: Contemporary Makers Speak Out about the Power of Art, Activism, Community and Creativity. Her work has been exhibited nationally and internationally, including the Museum of Craft and Design, Oakland Museum, Bellevue Art Museum, and the US Embassy in Moscow. “It’s my hope to inspire awareness and action through my “artivism.” My creativity is fed by the beauty of nature and the wonders of the natural world and I feel driven to preserve them for future generations” “The aesthetic of beauty is important to my work it helps make the serious nature of the subject matter I’m addressing more approachable” says Linda. ![]() She also works in public art, community engaged land art installation, and glass. Her bird’s-eye-view landscapes blend painting on silk with quilting and embroidery techniques to highlight the human marks on the landscape. Linda maintains a studio at The Alameda Artworks in San Jose. “Her art is far more than just self-expression – it is educational and a call to action to explore our world and create positive change.” Experiencing her thoughtful energy and her unique way of seeing nature inspires me to continue engaging to protect our local lands and waters,” says local environmental leader and long-time educator Jerry Hearn. “Linda has a deep and hard-earned appreciation of the natural world. She then invited the community to participate in creating a temporary land art installation marking that historic shoreline using over 2,000 blue plastic survey whiskers. ![]() Using historical maps, Linda approximated where the historic shoreline of the bay once was on the present landscape of Cooley Landing. In 2015, Linda created a land art installation at Cooley Landing, an artificial peninsula of land in East Palo Alto formed by garbage landfill. “Linda’s work is stunning, incredibly well-made, and shares an important message about how climate change has shaped and is shaping our environment,” says Karen Kienzle, Director of the Palo Alto Art Center, “Her work draws us in through its beauty and then encourages us to consider its content and our own personal impact on climate change.” ![]() She learned to love textiles at an early age when her grandmother taught her to sew and embroider. Jed cyr ed riffle software#Linda has been making art since she was old enough to hold a crayon and began making art full-time after a decade-long career in the software industry. Linda is best known for her intricately stitched paintings about climate change, water, and land use. ![]()
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